Orchid is a new type of instrument, so we're limiting the initial supply of them so we can continue to test, learn and iterate based on user feedback. Releases may become more frequent in the future, but for now they'll continue to be extra special, announced a couple of weeks before they're available.

The Garden is a Patreon community (https://www.patreon.com/c/t...) where we share content and make official announcements for Orchid. If you're interested in getting more involved in testing, there's a Discord you can join too (https://discord.gg/mdcFJ8Mf).

The Garden will be:

• A place to share content and compositions made with Orchid
• A forum for feedback on features and improvements
• A channel for exclusive behind-the-scenes content and insights from the creators
• A place to conduct user testing that will shape the evolution of Orchid

Of course, any content uploaded by the community will be the property of the author. Telepathic will not post or use anything without express consent.

Great question. The answer is yes.

Orchid offers valuable utility for songwriters, who are driven by exploration and experimentation; producers, who can benefit from the ability to quickly pivot to different genres, sounds and styles; and gear heads, who revel in the unconventional approaches enabled by discovering this kind of cutting-edge technology.

But Orchid is for everyone—from seasoned professionals to those discovering music for the first time. It frees musicians of all skill levels from muscle memory, chord maths and technical constraints, helping them find inspiration without getting bogged down by music theory or needing the dexterity of a trained pianist.

Nope. This is more like an... Ideas Machine.

Nope! We've worked really hard to make sure we can send Orchid worldwide. Turns out there are plenty of countries in the world, each with their own unique logistics challenges (who knew?).

So anyway no it’s definitely not ideal and we wish it were easier to send stuff around the world like this, but we thought everyone would quite like the speakers, and that sending to the USA is better than nothing.

Yes, you can. Perhaps you already have. Music theory is a deep and wonderful rabbit hole, and we respect anyone who dedicates time and energy understanding how something works.

But what’s the Right Level of music theory? How much technique do you need to practice before you can really play? And if you know enough about music, do you automatically write great songs?

We’ve all been listening to arguments about the Goldilocks zone of music mastery for about as long as we’ve been listening to music. We’ve valorised and vilified the maestros and misfits alike. Some argue that deep musical knowledge gives artists a richer vocabulary, and more tools for nuanced expression. The other believes that too much theory can trap musicians in predictable patterns, self-indulgent showboating, and playing too perfectly. Technically correct, and totally wrong. All brain, no soul.

Telepathic understands this question a little differently. There’s no “right” way or “wrong” way. There’s just whether or not you’re creating something that feels new and relevant to you and your audience. There’s a time for a sitting down and learning your craft. And there’s a time for trying something totally different. It’s not just how much a songwriter or performer does or doesn’t know, it’s the patterns we all get stuck in that inhibits exploration, expression, and ultimately, creativity.

So Orchid isn’t about avoiding theory or getting around practicing your craft. It’s not about creating a “better” system, or replacing practice or knowledge. It’s about shaking up your creative process by learning something entirely new. It’s a tool for anyone who wants to step outside their musical comfort zone, to experiment, and to find what’s on their mind.